Gi60 2012


Gi60 UK Live Edition 2013: Sat June 8, 7.30pm Viaduct Theatre, Dean Clough, Halifax

Thursday, 17 May 2012

Gi60 Live US Edition Announces Plays for 2012 Festival!!


Gi60: Live U.S. Edition is delighted to announce play selections for 2012. The following plays will be produced at the New Workshop Theater, located at Brooklyn College, Brooklyn, NY, on Friday June 8 at 8:00 pm, and Saturday June 9 at 8:00 pm. For further information and reservations, please call (718) 951-5000  X 2768. For directions to the venue, please visit the Brooklyn College homepage. Artistic Director Steve Ansell and Gi60: Live UK Edition will be announcing their play selections separately (and soon!).  For playwrights who live outside of the New York City area, stay tuned to this site for updates on live streaming the US event!


All proceeds from the Gi60: Live U.S. Edition go to a scholarship fund to support theater students at Brooklyn College. Every playwright who would like to attend will be offered one comp ticket, and we regret that we cannot offer multiple comps because of our fundraising efforts to help students. Tickets are $10.00, seating is general admission, and each performance will be filmed, edited, then uploaded to the Gi60 Channel on YouTube by early September. Congratulations, thank you for the wonderful plays you've shared with our terrific company of actors and directors, and we hope to see you at the event (reservations are STRONGLY recommended!).
All the best,

Directors: Rose Burnett Bonczek, Anthony Ponzio, and Michael Colby Jones



Gi60 2012: Live US Edition
Play Selections
1) Amazing TV Stars by Rosanne Manfredi (Bayshore, NY)
2) At the Hotel Huis Clos (No Exit) by Meron Langsner (Boston, MA)
3) The Art of Conversation by Emily Lawrenson (Barcelona, Spain)
4) Believe in Me by Roger Collins (Cincinnati, OH)
5) Better Than Birds by Robert Montgomery (New York, NY)
6) Bitches on Good Behavior by Stacey Lane (Miamisburg, OH)
7) The Box of Darkness by John Hawkhead (Somerset, UK)
8) Choosers by James McLindon (Northampton, MA)
9) Christmas Tree by Hugh Cardiff (Dublin, Ireland)
10) The Cock and Dragon by Mark Konik (Warners Bay, Australia)
11) Conveyor by David Muncaster (Cheshire, UK)
12) Deviation by Jay Nickerson (Brooklyn, NY)
13) Disrepair by Jim MacNerland  (Los Angeles, CA)
14) February 15th by Robert Boatride (New York, NY)
15) Four Epics and a Critic by C.J. Ehrlich (Chapaqua, NY)
16) Garage Sale by Bruce Shearer (Melbourne, Australia)
17) Have We Met? by Steve Ansell (Yorkshire, UK)
18) The Interview by Trace Crawford (Hilliard, OH)
19) It’s My Scene by Lucy Avery Brooke (New York, NY)
20) June 24, 2011 by Rosanne Manfredi (Bayshore, NY)
21) King Kwik by Alex Bernstein (Cranford, NJ)
22) The Lighthouse by Julian Kaufman 
23) Love at First Fight by Miles Butler (Brooklyn, NY)
24) Madame Seer Sees All by Arthur M. Jolly (Marina del Rey, CA)
25) The Most Powerful Doppler in the Tristate by Roger Brookfield (Cheviot, OH)
26) Nothing Else Matters by Anthony Ponzio (Brooklyn, NY)
27) On Facebook by Teddy Rodriguez (Lubbock, TX)
28) The Other Portrait by Chip Tolson (Minehead, UK)
29) Overheard at a Jersey City Bus Stop by Ruben Carbajal (Jersey City, NJ)
30) Overheard at Scotiabank Plaza by Aurora de Peña (Toronto, ON)
31) Pastport by Tom Carrozza (New York, NY)      
32) The Play by Aurora de Peña (Toronto, CA)
33) S.L. Daniels in This Universe by S.L. Daniels (Chicago, IL)
34) Soulmating by Ivy Vale (New York, NY)
35) Speed Dating by Ruben Carbajal (Jersey City, NJ)
36) Story-toppers by Ekaterina Ostrova – (Brooklyn, NY)
37) Suggestive by Andrea Fleck Cardy (Jamaica Plain, MA)
38) Sunset in North Dakota by Dwayne Yancey (Fincastle, VA)
39) Sweet Delilah by Ramona Floyd (New York, NY)
40) Traffic Stop by James McLindon (Nothrhampton, MA)
41) Tres Sors by Helen Huff (New York, NY)
42) Two by Ramona Floyd (New York, NY)
43) Two Old Men by Robert Boatride (New York, NY)
44) Under the Covers by Alan Jozwiak (Cincinnati, OH)
45) The Uniform by Dwayne Yancey (Fincastle, VA)
46) Welcome Home by Bill Grabowski (Huntington Station, NY)   
47) Why Babies Are Born Crying by Catherine Russo (East Islip, NY)
48) With by Mark Harvey Levine (Pasadena, CA)
49) A World Away by Jonathan Joy 
50) Written on Valentine's Day 2012, Waiting for Vietnamese Food by Philip Dawkins
(Chicago, IL)

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1 comment:

  1. Nice line-up! How many plays in total were submitted this year?

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Gi60: The Full History

Gi60: a One Minute History Gi60: The One Minute Play Festival was created by Steve Ansell, artistic director of ScreamingMediaProductions in 2003. At that time Steve was the Associate Director and head of New Writing at Harrogate Theatre, North Yorkshire, UK. Steve was curating a writing festival and looking for ways to offer more opportunity for writers to have their work staged. The idea of staging a one minute play festival was actually thanks to Christopher Durang and his anthology 27 Short Plays which contains a play titled 'One Minute Play' which Durang was commissioned to write for a one minute play festival. His play actually lasts over two minutes as he found the parameters limiting. It was for this reason that the first Gi60 was actually a two minute play festival called 120 Seconds which was presented as part of the 2003 Harrogate Theatre Write On festival. 120 Seconds was a huge success with both writers and audiences and so in 2004, enthused by the reaction to 120 seconds the first 'Gone In Sixty Seconds' (Gi60) was presented. Almost 90 one minute plays were performed in two separate shows, one show for family audiences and one for more adult themed material. Once again the shows were a huge success with extra performances hastily arranged as the studio space housing the event couldn't accommodate the audience numbers.


Although the 2004 show was very successful it had become clear that a single show with fewer plays would be more manageable, however, a reduction in the number of shows would have meant less opportunities for writers. With this in mind and inspired by his own phones ability to shoot about one minute of video, Steve approached long time colleague and fellow Director Rose Burnett Bonczek at Brooklyn College in New York to see if she would host a New York One Minute Play festival under the Gi60 name and record the entire event on Video. The plan would be to each present 50 one minute plays, record them and then upload them to a website for viewing and download by writers, friends, family and the general public.


Both shows were a massive success and both were recorded. A site and domain name were purchased and software uploaded (beating the official launch of You Tube by five months). Over the years we have undergone a number of changes. The UK show moved from the Harrogate Theatre studio to the Theatres main stage and is now has its home at The Viaduct Theatre in Halifax where Steve is an associate artist. In 2008 we moved the Gi60 Archive to You Tube and the Gi60 channel has received over 20,000 hits since that time. In 2010 we hosted our first themed Gi60 as part of the Halifax Ghost Story Festival 'G(hosts)i60', this was also notable as it was the first time that both Steve and Rose had directed together and featured a cast drawn from both UK and US actors.


Gi60 is always evolving and their have been a number of things have changed since the first International Gi60 in 2005, however, the key elements that make Gi60 so distinctive, successful and emulated remain the same.



· Gi60 is open to anybody, of any age and from anywhere


· Gi60 is free to enter and there is no fee for participating


· All our cast, crew and supporters give their time voluntarily


· All plays are recorded and made available on line


· Copyright remains with the author


· Plays can be about any subject as long as they are original



We are extremely proud of the Gi60 format and the creative community of writers, performers and artists that has grown up around the event. The fact that so many other one minute festivals using the Gi60 format have sprung up in recent years is fantastic news for writers and further proof of the popularity of the one minute form and the effectiveness of the Gi60 format.